Trovati 11 documenti.
Trovati 11 documenti.
Wild: fashion untamed / Andrew Bolton ; with contributions by Shannon Bell-Price and Elyssa Da Cruz
New York : The Metropolitan Museum of Art ; New Haven ; London : Yale University Press, c2004
Gianni Versace / Richard Martin ; photographs by Karin L. Willis
New York : The Metropolitan Museum of Art , 1997
New York : Metropolitan Museum of Art, 2016
Abstract: A stunning look at the paradoxical relationship between the artisanal and the technological in fashion The complex and often ambiguous relationship between the hand crafted and the machine made is examined in this intriguing look at the ever-changing world of fashion and taste. Manus x Machina traces styles of dress from one-of-a-kind works and haute couture created by highly skilled artisans, through the introduction of industrial manufacturing, to extraordinary recent technological advancements applied to high fashion, such as 3D printing, laser cutting, and computer-generated weaving and patterns. The oppositional relationship between the machine, as representative of democracy and mass production, and the hand, as the hallmark of elitism, is explored in its many facets in this fascinating book. Paradoxically, technology in fashion has both advanced artistic creation and obscured the sense of the designer's expert hand. Similarly, handmade garments have come to represent either a nostalgia for lost craftsmanship or, in haute couture, a cult of personality and affluence.Interviews with renowned and cutting-edge designers such as Sarah Burton, Karl Lagerfeld, and Miuccia Prada discuss how technology can blur the line between haute couture and pret-a-porter, and ultimately question the relevance of the distinction between hand and machine. A tour de force in art book production, Manus x Machina incorporates two volumes into its innovative package. The main volume of the book includes a smaller hand-sewn booklet, which features the printed interviews, tucked into the back jacket flap. The outer cover of the main volume is made of three-ply plastic layers with high-frequency weld and die-cut flaps. The paperback cover is die cut (modelled on the punch cards used in the first automated weaving looms), and the main volume includes 5 different paper stocks and silver foil stamping, and is printed with both high-density and ultraviolet inks. The book also features new photography of extraordinary pieces, including intricate 19th-century floral designs by William Morris, handcrafted haute couture of designers such as Christian Dior and Alexander McQueen, and the specatuclar 3D creations of Iris van Herpen.
Paris-New York : design fashion culture, 1925-1940
[New York] : The Monacelli press, c2008
The historical mode : fashion and art in the 1980s / Richard Martin, Harold Koda
New York : Rizzoli, 1989
New York : Bard Graduate Center: Decorative Arts, Design History, Material Culture, c2013
Flair : fashion collected by Tina Chow / Richard Martin and Harold Koda
New York : Rizzoli, 1992
New York fashion : the evolution of American style / by Caroline Rennolds Milbank
New York : Abrams, 1989
Bare witness / by Richard Martin and Harold Koda
New York : Metropolitan Museum of Art, c1996